The Blood of Flowers.
London: Little Brown, 2008. Hardcover. First British edition. The true first edition. Fine book in a fine dust jacket. Signed by the author on the title page. More
London: Little Brown, 2008. Hardcover. First British edition. The true first edition. Fine book in a fine dust jacket. Signed by the author on the title page. More
New York: Knopf, 1975. Hardcover. First U.S. edition. A fine book in a fine dust jacket. Minor creasing to front flap. The author's second book, a parody of Agatha Christie's country-house mysteries. The novel takes place over a single weekend. Signed by the author on the title page. More
London: Jonathan Cape, 1975. Paperback. Uncorrected Proof. A very good book in publisher's original pink wraps. Some wear to the extremities some creasing to the rear cover. An uncommon copy of the author's second book, a parody of Agatha Christie's country-house mysteries. The novel takes place over a single weekend. More
New York: Knopf, 1973. Hardcover. First U.S. edition. A fine book in a fine dust jacket. Light sunning to the jacket spine. The author's first novel. Signed by the author on the title page. More
New York: Harmony, 1994. Paperback. Uncorrected Proof. A fine book in publisher's plain blue wrappers. More
New York: St. Martin's Press, 2002. Hardcover. First edition, first printing. Fine in fine dust jacket. Signed by the author. More
Portland: Tin House Books, 2011. Hardcover. First edition, first printing. A fine book in a fine dust jacket. Published as part of the Powell's Books Indiespensable series. The author's first book in which an "unmoored man who yearns for a woman he failed, while failing another," writes Amy Hempel in a jacket blurb. Signed by the author on the title page. More
Soho, 2002. Hardcover. First American edition. Fine in fine dust jacket. Signed by the author. More
London: Quartet, 1985. Hardcover. First British edition. A fine book in a fine dust jacket. A lovely copy. More
New York: Dutton, 1970. Hardcover. First edition. A fine book in a near fine dust jacket. Light wear to the head and foot of the jacket and extremities. A touch of sunning to the top and bottom boards. Signed by the author on the title page. More
New York: Knopf, 1991. Paperback. Uncorrected Proof. A close to fine book in publisher's plain ivory colored wraps. Signed by the author on the title page. More
New York: Knopf, 1992. Paperback. First edition. A fine book in plain wrappers. An uncorrected proof in rose colored wraps. Signed by the author on the title page. More
Middletown: Wesleyan University Press, 1962. Hardcover. First edition. A close to fine book in a very good dust jacket. Sunning to the jacket spine and light edgewear. Toning to the rear panel. This is the quite scarce hardcover edition of Ashbery's second book of poetry, following his well-received debut, Some Trees. Signed by the author on the title page. More
New York: Viking Press, 1972. Hardcover. First edition. A fine book in a near fine jacket. A work that contains three long poems in prose, a radical departure for Ashbery at the time. The poems are The Recital, The New Spirit and The System. This is a review copy with a publisher's advance photo of Ashbery announcing his new book laid into the book. Signed by the author on the title page. More
New York: Knopf, 1989. Paperback. Uncorrected Proof. A near fine book in publisher's printed green wrappers. Sunning to the spine. A collection of 30 years of Ashbery's art criticism, first in the Paris Herald Tribune and later as executive editor of ARTnews. Signed by the author on the title page. More
New York. Holt Rinehart Winston, 1963. Hardcover. First edition, first printing. A fine book in a near fine dust jacket. Light wear to the head and foot of the jacket jacket corners. j. Price of $4.95 is present on the front jacket flap. A beautiful copy of this baseball classic. The story of the 1919 Black Sox Scandal involving Shoeless Joe Jackson and other members of the White Sox team. Adapted for the screen by John Sayles. More
Boston: Atlantic-Little Brown, 1968. Paperback. First U.S. edition. A fine copy in publisher's original wraps. Owner name stamped on half-title page. A paperback original. Stated first U. S. edition. Her second book and first collection of poetry. More
New York: Ecco, 2020. Hardcover. First U.S. edition. A fine book in a fine dust jacket. The Canadian author's first collection of poetry in over a decade. This is signed by the on a publisher's tipped in page. More
Boston: Houghton Mifflin, 1995. Paperback. Uncorrected Proof. A fine copy in publisher's light gray plain wraps. An uncorrected proof The author's first poetry collection in a decade. More
Boston: Houghton Mifflin, 1971. Hardcover. First U.S. edition. A fine book in a close to fine dust jacket. Price clipped and light sunning to the jacket spine. Signed by the author on the title page. More
New York: Simon & Schuster, 1976. Hardcover. First U.S. edition. Advance review copy with publisher's material and publisher's supplied photograph of Margaret Atwood laid into the book. A very good book in a very good just jacket. Toning to the rear and and front panels with a couple of short closed tears to the front panel. Light dampstaining noted on the spine of the book. More
Boston: Houghton Mifflin, 1997. Hardcover. First edition. A fine book in close to fine dust jacket. A hint of sunning to the top and bottom edges of the boards. More
Toronto: Oxford University Press, 1971. First Canadian Edition. A very good book in illustrated wrappers. Toning to the front cover along with some light rubbing and creasing. A book of poetry issued originally as a paperback original. The author's fourth book. The first Canadian edition and true first edition. Signed by the author on the title page. More