April Galleons.
New York: Viking, 1987. Hardcover. First edition. A fine book in a fine dust jacket. Signed by the author on the title page. More
New York: Viking, 1987. Hardcover. First edition. A fine book in a fine dust jacket. Signed by the author on the title page. More
New York: Dutton, 1970. Hardcover. First edition. A fine book in a near fine dust jacket. Light wear to the head and foot of the jacket and extremities. A touch of sunning to the top and bottom boards. Signed by the author on the title page. More
New York: Knopf, 1991. Paperback. Uncorrected Proof. A close to fine book in publisher's plain ivory colored wraps. Signed by the author on the title page. More
New York: Knopf, 1992. Paperback. First edition. A fine book in plain wrappers. An uncorrected proof in rose colored wraps. Signed by the author on the title page. More
Manchester: Carcenet New Press, 1982. Hardcover. First British edition. A fine book in a near fine dust jacket. Sunning to the jacket spine and browning to the page edges. A series of poems composed uniformly in 16 lines of four quartrains each. Signed by the author on the title page. More
Middletown: Wesleyan University Press, 1962. Hardcover. First edition. A close to fine book in a very good dust jacket. Sunning to the jacket spine and light edgewear. Toning to the rear panel. This is the quite scarce hardcover edition of Ashbery's second book of poetry, following his well-received debut, Some Trees. Signed by the author on the title page. More
New York: Viking Press, 1972. Hardcover. First edition. A fine book in a near fine jacket. A work that contains three long poems in prose, a radical departure for Ashbery at the time. The poems are The Recital, The New Spirit and The System. This is a review copy with a publisher's advance photo of Ashbery announcing his new book laid into the book. Signed by the author on the title page. More
New York: Knopf, 1989. Paperback. Uncorrected Proof. A near fine book in publisher's printed green wrappers. Sunning to the spine. A collection of 30 years of Ashbery's art criticism, first in the Paris Herald Tribune and later as executive editor of ARTnews. Signed by the author on the title page. More