New York: Dutton, 1966. Hardcover. First U.S. edition. A fine book in publisher's green cloth boards in a near fine dust jacket. Light wear to the head and foot of the jacket spine and minor crease at the bottom corner of the front panel. Translated by Herbert Marshall. The book comes with bilingual Russian and English text and includes a selection from his epic, Bratsky GES. It includes 30 poems that cover everything from Stalinism and history to anti-Semitism and love. Signed and inscribed by the author on the title page. More

New York: Atheneum, 1960. Hardcover. First edition. A near fine book in a very good dust jacket. Wear to the jacket extremities and some creasing to the front panel. Small bookshop label on the rear pastedown. Winner of the National Book Award in 1961. More

Port Townsend: Copper Canyon, 1986. Hardcover. First edition. A fine book in a fine dust jacket. Signed and inscribed by the author on the title page. More

Port Townsend: Copper Canyon, 1993. Paperback. First edition. A fine book in publisher's illustrated wrappers. Signed and inscribed by the author on the title page. More

New York: Doubleday & Co., 1971. Hardcover. First edition. A near fine book in a near fine dust jacket. Signed and inscribed by the author on the title page.From the library of poet Denise Levertov with her ownership label on the front free endpaper. More

New York: Knopf, 1991. Paperback. Uncorrected Proof. A close to fine book in publisher's plain ivory colored wraps. Signed by the author on the title page. More

Manchester: Carcenet New Press, 1982. Hardcover. First British edition. A fine book in a near fine dust jacket. Sunning to the jacket spine and browning to the page edges. A series of poems composed uniformly in 16 lines of four quartrains each. Signed by the author on the title page. More

Calais: Z Press, 1978. Hardcover. First edition. A fine book in a fine dust jacket. One of 500 copies, numbered and signed by the author. This is #497. A collection of three of the authors staged plays, first published in th 1950s, and brought together in this single volume. Signed by the author on the title page. More

New York: Knopf, 1992. Paperback. First edition. A fine book in plain wrappers. An uncorrected proof in rose colored wraps. Signed by the author on the title page. More

New York: Penguin, 1985. Paperback. First paperback edition. A fine book in a illustrated wrappers. Signed by the author on the title page. More

New York: FSG, 1968. Hardcover. First edition, first printing. First edition. A near fine book in a very good dust jacket. A bit of sunning along the edge of the boards.† Light creasing at the top of the front panel and some crimping to the head and foot of the jacket spine.† †Minor wrinkling to the bottom of the front panel and small creases to the front flap.† Price of $4.95 on the front flap.† †This is† a collection of 20 essays brought together in the author's second book. The title of the book is taken from an essay that Didion wrote in the mid-1960s about the time she spent in the Haight-Ashbury district of San Francisco.† She came away from her time there quite disturbed and depressed. "The center was not holding," she wrote in the opening line of the essay.† A bookplate signed by Joan Didion is laid into the book. Signed by the author. More

New York: Harcourt, Brace and Co., 1922. Hardcover. First edition. A first edition, very good hardcover with paper spine label. Ex-library copy with owner bookplate on front pastedown and a couple of other labels and ink stamps to internal pages. A strong copy with wear to the book tips along the book's spine. Paper spine label quite legible. Johnson compiled the work in the belief that the status of the American Negro would be improved by showcasing Black arts and literature to the general public. Among those included in this volume are W. E. B. DuBois, Claude McKay, Ray Dandridge and William Moore. More

New York: Little, Brown, 1996. Hardcover. First edition, first printing. A fine book in a fine dust jacket. First edition with the first state dust jacket that spells William Vollmann's name incorrectly on the rear panel. Front corners light bumped. This is David Foster Wallace's magnum opus. A beautiful copy with none of the spine sagging that plagues this 1079-page book. Signed by the author on the title page. More